Wednesday, September 13, 2017

Boy, Interrupted and the Sumatran Monkey Trap


I’m sensitive to moments.  Special moments that carry significance and weight.  Bizarre moments almost unreal in their experiential influence.

Once on a movie set, I had a true out-of-body experience when a high-strung freelance make-up artist absolutely laid into me, verbally ripping a new one when I asked an innocent question regarding my lighting and how it was affecting the star’s makeup. Even as the verbal tirade progressed, my consciousness floated up above the stage floor and into the lighting grid where I found myself staring back down at the confrontation between me and that irate cosmetologist.

Photo: Lambert and Company
Such “special points in time” mark lessons or conceptual breakthroughs, those so-called “learning moments” too good to miss.  They need not be carefully structured and don’t always require a classroom.  Some of the best ones happen alone and in private, or at least when in some internal zen state where its impact blankets out all surrounding distractions.  I explicitly remember a few teaching moments from my own youth… why you never grab for a feral farm kitten or what happens when you stir acetone with a plastic milkshake spoon salvaged from some drive-in burger joint.
   
In my later years I instructed at the International Film and TV Workshops in Rockport, Maine; later at the Media Technology Institute in Golden, Colorado; and eventually as professor in the broadcasting program at Metropolitan State University of Denver. I know there are many different types of learners, and students who will do best within a specific approach to instruction.  Experiential learning is especially significant in the broadcasting field.

Although now retired, that’s why the following scene had such an impact upon me:

Photo: Whole Foods Market
Weekly shopping chores brought Lynne and me to our favorite local market, that natural and organic chain recently snapped up by online giant Amazon. The latent hunter-gatherer within enjoys these treks, where I can prowl produce and chart charcuterie. This store’s cheese section often has tasting bites available from small stainless steel dishes, with tongs for picking up the morsels without fingers.  It was there that I found myself second-in-line to try a bite of the Herve Mons Camembert. Directly in front of me in the tasting line was a small boy, perhaps first-grade, and a slightly older brother, both joining their mother in the grocery expedition. 

I’d actually run into this young tow-headed pair earlier in bulk foods, where the two youths grabbed a single plastic bag and busily filled it with scoops from each and every nut and chocolate bin in the section, while mother shopped elsewhere. Mentioning to these kids that each item was SKU’d and priced separately did briefly flit through my brain, but instead I elected to just observe.  When one morsel missed their bag and spilled to the floor, they were quick to snatch the treat and appeared ready to pop it directly into their mouths.  Instinctively, my brain stem evaluated application of the three-second rule, but instead I merely blurted aloud “nice catch, no waste” as they swallowed. They’ll learn later, I thought to myself.

Photo: Whole Foods Market
But, back to the present offering of cheese samples. Mom was some distance away, examining boxes of imported crackers and older brother was gleefully rearranging summer sausage price tags. Alone immediately in front of me, the youngest reached for a bite. Tightly clutched in his left hand was a large box of organic goldfish crackers, his selection for mom's shopping cart, and with his right hand he used the tongs to properly pinch one camembert cube.  But, you see, with both his hands occupied with clutching and holding, there’s no way to transfer the cheese from the tongs into his mouth.  I saw him pause.  This was going to be a learning moment, I thought. 

Instinctively, his right arm (with the captured morsel) started toward his mouth, which slightly opened but then closed again as his hand came to a stop.  I do give him credit, he’d been taught the sanitary pitfalls that come from eating with the serving utensil. But what to do?  He held the pale yellow bite, hesitating.  I watched, waiting to see how this crisis might resolve itself. I sensed his dilemma, the conundrum of the moment. Let go of the prized crackers to free up a receiving hand for the sample? Or forego the tasting altogether? 

In this moment, I flashed on the old tale of the Sumatran Monkey Trap.


Photo: SurprisinglyBrave.com
Common to many cultures (and centuries before Robert Pirsig repeated it in his tome on Zen and motorcycles) this fable describes catching monkeys without harming them. Basically, the process involves either a hollowed-out gourd or even a glass bottle, filled with nuts or sweets or other monkey goodies. The secret is the precise size of the hole in the gourd or the neck of the bottle. The baited container is chained down in a clearing and before long, curious monkeys appear. The boldest will slide their open hand down inside the bottle or gourd to grasp a handful of treats, but in clutching the prize their fist becomes too large to pull out of the container. Simian greed (a well known trait) prevents the animal from escaping because it refuses to drop the reward in order to pull it’s own hand out of the trap.

Photo: AZ Press
The monkey isn't incapable of learning from the experience, but the capture technique is so successful apes seldom get a second chance (although in Central America there's an old adage that translates roughly into “the experienced monkey doesn’t put his hand in a bottle.”)  But human children are active learners, able to set simple goals, to plan and revise. Cognitive development involves acquisition of perceptions regarding structure, numerical order and basic physics. Cognitive development requires remembering these outcomes to understand and solve future problems. 

Back to the emerging learning moment unfolding in front of me...  I could see him pause to process. You could almost hear the gears spinning in his monkey brain. He leaned back a bit, as though distancing himself from the puzzle might help. He was on the precipice of a primordial learning moment. His head cocked quizzically.  Silently, I connected and sent encouraging mental vibes. “Your choice will matter. You must decide, and in your decision comes self-actualization. Yes, little dude, yes!” 

And then… “Here honey, give me the box.” 

His mother steps in, dutifully saves the day, blindly rescues the child but hopelessly destroys the developmental moment.  Yet, I don’t blame mom.  Perhaps she just instinctively did what moms must do.  I applaud how she allowed what might have been a domestic chore to become instead an experiential field trip. And this was imported fromage he wanted to try, not an effing Velveeta brick. In context, her boys were actually quite well behaved in public.  

Photo: Capital City Pediatric Dentistry
But I was struck how hovering at a distance, holding back and silently observing from afar needs to be one of the parenting tools. Cognitive learning opportunities often come in moments of intellectual, if not physical, solitude. That’s when it’s both your decision and your consequence. The parental rescue of “here honey, always let me help” has its place... but like the glow of electronic device screens or the hysterical disclaimers from product warning labels on the most innocent of products... caution too can be sometimes overused.

That’s what I learned.


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Saturday, September 2, 2017

Blood Relations and My Brush With Obscurity


This blog gets personal … in the original context of the term.
   
My fractured career arc took me through newspapers into radio, over-the-air television, film and video production with side trips including rock-n-roll tours, lighting direction, facility design and even university professor. Starting in high school with live event theatre, I always favored the shadows backstage more than the spotlight out front. I tried both sides of the curtain but always found myself most comfortable as one of the uncredited backstage workers, part of the crew behind the scenes. Most often earning little acknowledgment and even less program credit.  We were a loose family of craft persons, stagehands, grips and carnies all toiling in obscurity, driven by love of the business more than rather meager paychecks.

Of course, along the way we’d work with actors, toiling within pretty much the same “don’t know your name, but hey there again” status.  Aspiring performers in supporting roles, bit players, dancers, uncredited extras and stand-ins.  Artists making a career working without becoming famous.  Cast or crew, I could relate. 

That’s why it was a mind warp to recently discover a blood relation kin who’d spent the 1930s through the 1950s in Hollywood, scratching out a living as an actress, extra and bit player. With a click she appeared, right there in my family tree as my second-cousin, a couple generations removed.  Her name was Yvonne Bowman.

I uncovered Yvonne’s existence while working on genealogy and building out my family history using that big subscription research service, that “A-word" company you see advertising on holiday television commercials.  My genealogy hobby started back about five years ago, so I already had the family members of my father’s maternal grandmother, my great grandmother Mary Anna Jensen (1869-1937).  One of her contemporaries was her brother Albert Jensen, whose own family included three sons and four daughters, one of which was Della Grace Jensen (1893-1973).  I’d researched that Della married one Lee Bowman in 1911 near Tulsa, Oklahoma and the couple gave birth to two daughters – Bessie Ann, born in 1913 and Yvonne Della, borne in 1915.  Unfortunately, mom and dad divorced around 1923, with Yvonne and her father moving out to Hollywood.

By the 1930's Yvonne Della Bowman was living in Los Angeles and finding small, uncredited screen appearances as a dancer or crowd extra. Thanks to the American Film Institute Online Database, I unearthed one very brief credit for Yvonne in 1936's 20th Century Fox musical “Under Your Spell” starring Lawrence Tibbett and Wendy Barrie, marking the first effort by German immigrant Otto Preminger directing an American film.

At some point in promoting her career, Yvonne posed for a portrait -- known in the trade as a “head shot” – and spent hard-earned coin going straight to Hollywood master photographer Max Munn Autrey.  Autrey was the real deal, becoming famous with his images of stars Charlie Chaplin and Clara Bow.  Working primarily for 20th Century Fox, he later joined Witzel Photography in downtown L.A. before opening his own studio in 1932, Hollywood Filmograph at Sunset and La Brea Avenue:


And did any copies of his long-forgotten portrait of one obscure Hollywood bit player actually survive?  Yes!  And thank you, internet:

Yvonne Della Bowman, 1915 - 1996

Most motion picture studio production files from the era are long lost, although other clues popped up, including a couple of production stills from the 1939 Paramount release “Honeymoon in Bali” starring Fred MacMurray, Madeleine Carrol and Allan Jones. I’d searched Google for any reference to “Yvonne Bowman” and an original studio press release was on eBay, with identifying caption: “Those Honeymoon In Bali UUUUUMFFF Girls… They’ve got what it takes!”  Of course, this was late 1930s when scandalous costumes meant full-length sarongs and off-the-shoulder shawls. Yet there was cousin Yvonne, second from left. The movie was now over 70 years old, I wondered if the studio bothered to renew the film copyright, and guess what … Paramount dropped the ball. “Honeymoon in Bali” had entered public domain which of course meant someone, somewhere, had uploaded the entire flick to YouTube.  

And I was right.  I pulled down the YouTube file, and scrubbed through every scene.  Then at one hour and twenty minutes, as Madeleine Carrol’s character returned to the island to confront Fred MacMurray, her character’s march to the grass shack is interrupted by three “native” Bali islanders crossing the road. The second woman, balancing basket on head exactly like in the studio press photo is my second cousin, twice removed, Yvonne Bowman:


Percy Lazelle, 1907 - 2000
She briefly made the newspapers when she sued a California horse stable following a riding accident, only to have the defendant die just as her case came to trial... all this thanks to my subscription to Newspapers.com.  Yvonne married a Hollywood dancer and talent agent named Percy Lazelle (real surname "Muehling") in 1941. “Perk” achieved minor notoriety as an extra with non-speaking bit parts, including a small role as the attorney’s clerk in the 1945 Oscar winner “Mildred Pierce.” TV work included "Alfred Hitchcock Presents" and "The Red Skelton Show." The couple eventually retired from La-La Land, splitting time between Arizona and California, where Yvonne passed on May 26, 1996.

There’s awesome impact that comes with sitting here at my iMac, well into the 21st century, and using the internet to discover and connect with a distant relative who, two generations before me, had also struggled to survive in the entertainment industry. Then as now, it was a life of just showing up and doing the job, making a living but never getting famous. My computer feels kinda like a cyber time travel machine.  In one brief moment, sitting in my home office, I connect across three-quarters of a century and identify with a late fellow traveler and blood relation in this crazy business.

Here’s to you, second-cousin Yvonne. 






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